000			01845cam a2200277 i 4500
001			582
010			_a978-3-95679-388-2
090			_a582
099			_tLIVR
100			_a20230613 frey50
101	0		_afre
200			_aSpacing philosophy _eLyotard and the idea of the exhibition _fDaniel Birnbaum _fSven-Olov Wallenstein _fIsabelle Graw _bLIVR
210			_aSternberg Press _d2019
215			_a(251 p.)
330			_aIn 1985, the philosopher Jean-François Lyotard curated 'Les Immatériaux' at Centre Georges Pompidou. Though widely misunderstood at the time, the exhibition marked a 'curatorial turn' in critical theory. Through its experimental layout and hybrid presentation of objects, technologies, and ideas, this pioneering exploration of virtuality reflected on the exhibition as a medium of communication, and anticipated a deeper engagement with immersive and digital space in both art and theory. In Spacing Philosophy, Daniel Birnbaum and Sven-Olov Wallenstein analyze the significance and logic of Lyotard's exhibition while contextualizing it in the history of exhibition practices, the philosophical tradition, and Lyotard's own work on aesthetics and phenomenology. 'Les Immatériaux' can thus be seen as a culmination and materialization of a life's work as well as a primer for the many thought-exhibitions produced in the following decades (Source : 4e de couv.)
610			_aArt
610			_aArt – Exhibition techniques
610			_aCentre Georges Pompidou)
610			_aJean-François (1924-1998)
610			_aLes Immatériaux. Exposition (1985
610			_aLyotard
610			_aModern – 20th century – Exhibitions – History
700			_aBirnbaum _bDaniel _4070 _93462
700			_aGraw _bIsabelle _4070 _93463
700			_aWallenstein _bSven-Olov _4070 _93464
801			_aTN _b32bis _c20230514 _gUNIMARC