| 000 | 01819cam0a2200301 4500 | ||
|---|---|---|---|
| 001 | 5318 | ||
| 010 | _a9783735604095 | ||
| 010 | _a3735604099 | ||
| 090 | _a5318 | ||
| 099 | _tLIVR | ||
| 100 | _a20240216d2017 k y0frey50 ba | ||
| 101 | 2 |
_ager _aeng |
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| 102 | _aDE | ||
| 200 | 1 |
_aLaurence Egloff _f[Redaktion, Anne Schwarz _gText, Ferial Nadja Karrasch] _blivre |
|
| 215 |
_a1 volume (78 pages) _cillustrations en couleurs _d25 cm |
||
| 225 | 0 | _aKerber art | |
| 300 | _aPublié à l'occasion de l'exposition "Laurence Egloff, suspension of disbilief", qui s'est tenue à la Schwarz Contemporary, Berlin, du 27 octobre au 2 décembre 2017 | ||
| 330 | _aBroad brushstrokes, abstract forms, and flowing colors: The preferred medium of the Berlin-based, French artist Laurence Egloff (*1972) is painting. Egloff's frequently sketch-like works on paper are transferred to canvas and one and the same pictorial subject is developed further in several versions. She samples from the treasure house of pictures by Tiepolo, Tintoretto, or, for instance, Poussin, and makes reference to templates from art history and everyday life. In the process, she simultaneously moves through her own world of color and interpretation. In Egloff's new publication, Ferial Nadja Karrasch provides an in-depth examination of her painting and sheds light on the moment of the "suspension of disbelief." | ||
| 600 | 1 |
_3275832252 _aEgloff _bLaurence _f1972-.... _97963 |
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| 676 | _a700.411 EGL | ||
| 700 | 1 |
_3226198456 _aKarrasch _bFerial Nadja _4070 _97964 |
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| 701 | 1 |
_3094201145 _aSchwarz _bAnne _4651 _97965 |
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| 701 | 1 |
_3148491812 _aCurrid _bBrian _4730 _97966 |
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| 711 | 0 | 2 |
_322684305X _aSchwarz Contemporary _4475 _97967 |
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| 830 | _aABA | ||